Jones shares this 15-track compilation with harmonica street player Edward Hazelton, another one of Frederick Usher's elusive Skid Row discoveries, who contributes a half dozen sides featuring a stripped-down Sonny Terry style. The first nine tracks by Jones are primitive in the extreme, untouched by any commercial considerations whatsoever. His instrument -- described on the front cover as "a home-made African derived Zither-Monochord" -- delivers tones that border on somewhere between keening, rhythmic, and downright eerie. Even repeated listening to any of the early Delta blues slide greats will not prepare you for the sound on this recording, which is trebly, bordering on metallic. Blues as folklore, but a whole lot of fun to explore as well.
AllMusic Review by Cub Koda