Get Lifted netted John Legend a major hit ("Ordinary People") that will be heard on adult contemporary stations and throwback-oriented programs as long as they exist, platinum status, and three Grammy titles -- including the potential kiss of death that is Best New Artist. If Legend hadn't linked up with Kanye West or any other connected industry figure, he'd probably be well into a string of independent albums and would likely have a fanatical cult following through persistent touring. It doesn't take much exposure to his songs to sense this alternate scenario. No one can deny that Legend has had considerable help from his collaborators, and he continues to get that support this time out -- there's West, will.i.am, Sa-Ra, Raphael Saadiq, Plant Life's Jack Splash, and a massive crew of session musicians, but it's already evident that Legend only needs a piano to get by. Even with its many producers, Once Again is much more focused than Get Lifted, and the quality of its songs is equally high. Legend's obviously doing everything in his power to not fall off. He pours so much of himself into each one of these songs, whether they're about flings with groupies or breakups with long-term girlfriends, that the album can begin to wear around the eighth track. The songs flit back and forth between easygoing, butterflies-of-love-type sentiments and deep drama, with both sides expressed through similar levels of intensity. As much as anyone else, Legend would benefit from the recent (and generally welcomed) return of the 40-minute R&B album. If the album is missing something, it's a snappy, unapologetically swaggering track in the vein of Get Lifted's "Used to Love U," or perhaps a song or two that doesn't seem intent on displaying impressive musicality, but there are enough undeniably bright spots to please those who have already been won over. While Once Again might not get as much attention as its predecessor, it's more assured and sounds nothing like an experiment to see what sticks. Legend now knows exactly where he fits, and he's not holding back in the least.
AllMusic Review by Andy Kellman