It is indeed an oddity that, for all the considerable ambition of his albums, this collection of singles and unreleased outtakes may be Ayers' most satisfying LP. Why? Perhaps because when he's constrained within the 45 format, he taps his strongest and most endearing qualities: easygoing, singalong melodies, droll, nonchalant (even non sequitur) lyrics, good-natured sotto voce vocals, even female backup harmonies. There's little trace of the inaccessible, difficult (usually instrumental) passages that occupy much of the space on his early albums. Spanning 1969 to 1973, this includes eight tracks that wound up on flop singles, as well as six outtakes from the albums he recorded during this period, though there were no obvious reasons for their exclusion (too pop oriented, perhaps?). These are, indeed, "odd ditties": catchy, with occasional Caribbean rhythms and French lyrics, but way too goofball to be taken to heart by a mass audience, at times sounding like a more together Syd Barrett. Needless to say, none of these nifty tunes were anything close to hits. But if they had been, the world would have been a better place.
Share this page
AllMusic Review by Richie Unterberger