Diana Ross made a bid for new stardom by returning to Motown with a deal giving her profit participation in the company and creative control in 1989. This album was the first product of that new contract, and the results weren't very encouraging. There were no moderate or even small hits, and the album quickly dropped off both the R&B and pop charts within a couple of weeks of its release. Ross sounded completely lost, and the production, arrangements, and compositions sounded weak and thin next to the dominant New Jack and hip-hop works.
AllMusic Review by Ron Wynn