Where You Live is a reminder that somewhere during her career, Tracy Chapman softly transformed from just an early publicized face of contemporary folk into a quiet stalwart of social commentary and atmosphere. Though she is certainly best known for her hits "Fast Car" and "Give Me One Reason," those two songs stand within her history as suspension bridge supports: visible from afar as beacons of a structure with purpose, whose job is to sustain the action from point A to point B in her slow evolution. And with major labels' consistent tendency to lean further and further away from hosting artists for more than an album or two, it is commendable that Elektra seems dedicated in serving Chapman's subtlety and dependable longevity, affording her the luxury of having producers and players aboard who nurture her sound through said evolution. Where You Live is yet another elegant and easy album from Chapman, just the kind her fan base has come to expect, and with the help of co-producer Tchad Blake, it embraces some details of Chapman's penchant for darkness, where parts of her earlier records glossed over these folds. Judging by many of the artists with whom he has worked, Blake's inclination seems to be to find minutiae such as this and latch on, his approach being generally heavy-handed, but here he has left plenty of room for the songs to really breathe around their most intriguing attribute: Chapman's warm voice. Perhaps it was Chapman's role as co-producer that served as a ballast, or perhaps it is an example of Blake's growth, but it is worth noting Blake's late-'90s trademark -- ultra-compressed, watery, and claustrophobic drum sounds -- has been given a rest in exchange for simple, dry, and tight drums played minimally by Quinn. This restrained foundation is integral to the dynamics of Where You Live, allowing any flourish to meet the ear with immediacy and purpose. Short of a few examples, Where You Live slides along at a gentle, mid-tempo gait. The nature of Chapman's calm delivery, as with much of her catalog, is deceiving, considering some of the heavy subject matter, but it is perhaps one of her greatest assets that she is able to allow her messages to sink in like mellow fatigue on a late-summer Sunday evening. In anyone else's hands, these smooth edges would likely suffer under the force of preaching, but her demeanor allows the words and melodies to work for themselves. Perhaps due to the album's fluidity, no song from Where You Live immediately presents itself as the single; instead the album operates entirely as a measured course and will enlighten those who will choose to fall into its simple allure, rather than acting as a hook for new listeners.
AllMusic Review by Gregory McIntosh