By this time Charlie was confident enough to include four acoustic guitar vehicles -- one ("Baby Please Don't Go") with overdubbed harp, one ("I'll Get a Break") from his old pal Will Shade of the Memphis Jug Band. The ensemble numbers feature a German backup band with expatriate Jim Kahr on guitar. A more expansive workout (than the Chicago BlueStars' version) on "Coming Home Baby" is nice, and "Cristo Redentor" (Charlie's fourth recording of the song, this time subtitled "Slight Return") gets a beautiful piano-harp duet treatment. Unfortunately the proceedings are sabotaged by completely inappropriate engineering -- mechanical-sounding drums, tons o-reverb, way too much high-end. Ouch!
AllMusic Review by Dan Forte