Williams's first album for the revived Capricorn label rocks harder than usual, even while he's evangelizing for country music. A good chuck of Maverick sounds like a cross between a roaring drunk and a Penthouse letter. There's also a great ghost story ("Cut Bank, Montana") and a really dumb novelty song ("Fax Me a Beer"). There's probably not a soul on earth who could pull off "Come on Over to the Country" but Hank -- it's corny and obvious about everything country music wishes it was. But every time the slide guitar kicks in, he makes it all come true.
Maverick
Hank Williams, Jr.
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Maverick Review
by Brian Mansfield
Track Listing
Title/Composer | Performer | Time | Stream | |||
---|---|---|---|---|---|---|
1 | Hank Williams, Jr. | 03:03 | SpotifyAmazon | |||
2 | Hank Williams, Jr. | 02:27 | SpotifyAmazon | |||
3 | Hank Williams, Jr. | 03:47 | SpotifyAmazon | |||
4 | Hank Williams, Jr. | 04:05 | SpotifyAmazon | |||
5 | Hank Williams, Jr. | 02:38 | SpotifyAmazon | |||
6 | Hank Williams, Jr. | 03:47 | ||||
7 | Hank Williams, Jr. | 02:47 | SpotifyAmazon | |||
8 | Hank Williams, Jr. | 02:18 | SpotifyAmazon | |||
9 | Hank Williams, Jr. | 03:20 | SpotifyAmazon | |||
10 | Hank Williams, Jr. | 04:41 | SpotifyAmazon |