These 19 songs cut throughout the 1950s offer a smorgasbord of Roy Eldridge's expertise. There's an impressive array of musical talents and settings here, forming something of a sampler of Eldridge's time on the Verve label.
"Ja-Da" finds him combining with a spirited group of Basie alumni, while "Let Me Off Uptown" reunites the trumpeter with Anita O'Day and Gene Krupa in a reprise of their trend-setting 1941 hit which is as aurally fulfilling as the original. "I Remember Harlem" is another standout; here, the moody, atmospheric melody is like few other Eldridge recordings. Against a beautiful and eerie arrangement featuring a bevy of strings and flute, Eldridge's playing is gorgeous and seductive, illuminating the nocturnal mood of the song like a street light on a darkened avenue.