John Williams' score for what has become the most successful movie of all time is similar to his scores for other popular Steven Spielberg films. He remains firmly in the tradition of the lush, heavily orchestrated score. This is the first horror movie he and Spielberg collaborated on since Jaws, but there is nothing like the threatening theme that helped define that monster movie here. Instead, there is a lot of quiet music, a much more subtle touch, and a wistful theme that runs throughout, although things do come to a boil now and then.
Share this page
AllMusic Review by William Ruhlmann