It is surprising how artistically productive altoist Arthur Blythe was during his period on Columbia. Despite the hype and Columbia's reputation for pressuring artists to play mass-appeal music, Blythe's recordings for that label are inventive and creative. For this, his third Columbia release, Blythe uses two different groups: an "in the tradition" quartet with pianist John Hicks, bassist Fred Hopkins, and drummer Steve McCall, and a more eccentric unit with guitarist James Blood Ulmer, cellist Abdul Wadud, tuba player Bob Stewart, and drummer Bobby Battle. No matter the setting, the distinctive alto of Blythe is heard in top form on six of his unusual originals. It's recommended.
AllMusic Review by Scott Yanow