Oden offers ten of his own compositions on his first full-length album session, with low-key backing from a full band (Robert Banks' piano is especially prominent). He's a serviceable though not outstanding vocalist, and offers his tales with a sort of good-natured fatalism, the most celebrated number being the title track. While he was an outstanding songwriter, it may have been best that Oden's compositions are primarily known through the interpretations of others. On this recording at least, the arrangements could really benefit from less uniformity, the tempo rarely escaping a pace somewhere between slow and medium.
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AllMusic Review by Richie Unterberger