The 25 tracks compiled on this single-disc compilation have been issued under a plethora of titles since the '80s -- most notably in the digital domain as Raunchy Rock & Roll (1995). Many of these dirty ditties have become legendary in frat houses and barrooms across the world, despite their initial obscurity due to excruciatingly poor under-the-counter circulation. A more sociological vantage point reveals a broad scope of musical styles, ranging from doo wop ("Don't Fuck Around With Love") to redneck country & western twang ("Pussy Cat Song"). However, there are a few pop music genres that seem to artistically lend themselves to the unadulterated and overtly sexual intonations -- some intentional, others quite serendipitous. Among the most authentic are the '50s rhythm & blues and doo wop styles which inform tracks such as "Derby Town" and "The Rotten Cock Suckers Ball" -- both of which became infamous platters for the Clovers. The latter title was revived by Frank Zappa as "Cock-Suckers' Ball" and issued on his live Does Humor Belong in Music? multimedia project from the mid-'80s. Likewise, there are '50s sock-hop ballads such as "It's So Hard to Say I Love You" and "Sit on My Face," and even rockabilly ("Yo Yo"). There are also garage rockers ("Baby, Let Me Bang Your Box") and a funky (literally!), randy reggae reading of Rare Earth's hit "Get Ready," which is subtitled "French Style." More modern rock & roll contributions include "Fuck Off" by, appropriately enough, the Dildos, as well as David Trout's double-entendre-laden "Fast Food Song." Other notable inclusions are Screamin' Jay Hawkins' R&B hoodoo "Bite It" and "Constipation Blues," as well as the incendiary coupling of Jackie Wilson and LaVern Baker on a wild take of "Think Twice," which was decidedly toned down for the legit 45 rpm (b/w "Please Don't Hurt Me") for Brunswick in 1965. Also in the mix are a few sides -- such as "Did He Eat Your Titty" and "Stickball" -- that defy category. For Adults Only is a refreshingly self-indulgent artifact that reflects the decidedly more carnal and base aspects of popular music. Potential enthusiasts should be aware of the sound quality, which vacillates from track to track. While not unlistenable, there is copious surface noise to deal with on a majority of the recordings.
Share this page
AllMusic Review by Lindsay Planer