This, essentially Emitt Rhodes' third and final album, is once again a one-man-band affair. It does differ, however, from his earlier efforts. The record has a much more wistful, almost Harry Nilsson-like feeling, and this permeates most of the cuts. This album also finds Rhodes experimenting with other instruments, such as violin on "Warm Self Sacrafice," one of the album's standouts. Although not as buoyant as his earlier efforts, Farewell to Paradise is still a very strong album, and further cements his reputation as one of the great (albeit long-lost) artists of the period.
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AllMusic Review by Matthew Greenwald