A reissue that combines 1967's The Fabulous Impressions and 1968's We're a Winner onto one CD. Although The Fabulous Impressions was a solid enough soul record on its own merits, it's not one of the more notable entries in the Impressions' catalog. There aren't any big hits, although a couple cuts, "You Always Hurt Me" and "I Can't Stay Away From You," were modest R&B charters. At times it seemed that Mayfield was trying to follow in Motown's footsteps, as on "You Always Hurt Me" and "You Ought to Be in Heaven." "It's All Over" is the Impressions' version of a song that had already been a hit for Walter Jackson, and the cover of Gene McDaniels' "One Hundred Pounds of Clay" (the only selection not written by Mayfield) is filler. The above comments might lead you to believe this album is worse than it actually is; it's dependable, enjoyable, quality soul, with "Isle of Sirens" recalling earlier efforts like "Gypsy Woman" and "She Don't Love Me" offering a chunkier and tougher approach than their typical heartfelt optimism. While the title track of We're a Winner was one of Mayfield's classic civil rights-conscious anthems, most of this album was actually dedicated to standard romantic themes. Almost every cut was a quality Mayfield original, and the harmonies and vocal interplay among the group were outstanding. "Nothing Can Stop Me," which had been a hit in 1965 for Gene Chandler, was an up-tempo highlight, and "Little Brown Boy" showed more of the African-American pride that had been explored in "We're a Winner," albeit in a more tender ballad mode. The closing cover of "Up Up and Away" is misplaced, but overall this is one of the better Impressions albums to pick up if you want more than what's found on the greatest-hits collections.
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AllMusic Review by Richie Unterberger