Maria Schneider's debut as a leader is quite impressive. Her complex arrangements of her nine originals are most influenced by Gil Evans and Bob Brookmeyer, although her own musical personality shines through. There are strong solos from tenors Rick Margitza and Rich Perry, trumpeter Tim Hagan, altoist Tim Ries, and particularly pianist Kenny Werner, but it is the moody ensembles that most stick in one's mind. Schneider's arrangements are often dense, a bit esoteric, and thought-provoking; this music may need several listens for one to grasp all that is going on.
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AllMusic Review by Scott Yanow