It is fairly easy to evaluate Dinah Washington's recordings. Before 1959 virtually everything she recorded (even when in a commercial setting) is worth acquiring but the opposite is true of the records from her final period (1959-63). As a pop artist, Washington was better than many but only a shadow of what she had been. Her pre-planned emotions and exaggerated mannerisms on her Roulette recordings (of which Dinah '63 was one of her last) get tiring very fast.
AllMusic Review by Scott Yanow