Glitzy showmanship is what fuels Caribou, a less successful album than its early-'70s predecessors. Though the shiny surface of the album is alluring, only a few tracks rank among John's best work. "The Bitch Is Back" is one of his best hard rock cuts and "Don't Let the Sun Go Down on Me" is one of his classic ballads, but the album tracks tend to be ridiculous filler on the order of "Solar Prestige a Gammon" or competent genre exercises like "You're So Static." There are a couple of exceptions -- "Pinky" is a fine ballad and "Dixie Lily" is an endearing stab at country -- but on the whole, Caribou is a disappointment.
by Stephen Thomas Erlewine