Vladimir Ashkenazy

Bach: The Well-Tempered Clavier

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It's hard to imagine too many other musicians with as varied a career and as diverse a set of repertoire as pianist and conductor Vladimir Ashkenazy. Nonetheless, the Moscow Conservatory graduate still has his feet firmly planted in his Russian heritage, this new recording of the Well-Tempered Clavier on longtime partner Decca being no exception. Although Ashkenazy's amazing virtuosity as a performer is no secret, the music of Bach demands much more than that alone. Bach requires thought, intellect, and a different type of spirit -- three areas in which Ashkenazy often excels. Make that four, if you account for his outstanding technical mastery.

Here, though, Ashkenazy faces perhaps his toughest audience and critics yet; the very first prelude alone is played (and heard) a countless amount of times each week in a living room somewhere in the world! Nevertheless, this set, spanned economically across three compact discs, begins impressively enough. Ashkenazy commands a great sensitivity in the very first prelude, where he connects Bach's musical lines and ideas together in a way somewhat reminiscent of his recordings of Chopin or Rachmaninov -- though not in the same grandiose manner. Rather, what Ashkenazy does, quite successfully, is to complement this romanticism with the music's natural elegance and grace. Ashkenazy's skill at maintaining a sensitive lyricism without stretching the tempo is also insightful.

While many of the preludes (and some of the fugues) are magnificently played, much of Ashkenazy's performance throughout this set does seem to exude a tinge of dryness and the monochromatic. This is especially audible in the fugues, which, lacking the lyrical treatment afforded to the preludes, results in a feeling that is more vertical, angular, and boxlike (all difficulties inherent in the performance, especially today, of these works). There is often a shallow neglect to the ends of phrases, as well, resulting in a feeling of hollowness. Ashkenazy's ornaments, at times, can sound a bit lethargic; the trills and grace notes could use more vibrance and life.

Overall, these three discs represent a somewhat mixed bag of quality; you'll hear some genuinely brilliant moments coupled with many that seem disappointing. If you are looking for a Well-Tempered Clavier set in the Russian tradition and are not bothered by sound quality, you may find the Sviatoslav Richter performance from 1970, released on RCA, somewhat more satisfying.

Track Listing - Disc 1

Sample Title/Composer Performer Time Stream
The Well-Tempered Clavier (24), collection of preludes & fugues, Book I, BWV 846-869 (BC L80-103)
1 02:41 Amazon
2 02:12 Amazon
3 01:34 Amazon
4 01:35 Amazon
5 01:09 Amazon
6 02:12 Amazon
7 03:16 Amazon
8 04:40 Amazon
9 01:06 Amazon
10 01:52 Amazon
11 01:17 Amazon
12 02:13 Amazon
13 03:40 Amazon
14 01:44 Amazon
15 04:32 Amazon
16 05:38 Amazon
17 01:38 Amazon
18 01:06 Amazon
19 02:27 Amazon
20 01:06 Amazon
21 00:58 Amazon
22 01:03 Amazon
23 02:50 Amazon
24 04:10 Amazon
25 01:25 Amazon
26 02:13 Amazon
27 01:04 Amazon
28 03:23 Amazon
29 00:50 Amazon
30 02:23 Amazon
31 02:13 Amazon
32 01:57 Amazon
33 01:11 Amazon
34 01:56 Amazon
35 01:53 Amazon
36 02:49 Amazon

Track Listing - Disc 2

Sample Title/Composer Performer Time Stream
The Well-Tempered Clavier (24), collection of preludes & fugues, Book I, BWV 846-869 (BC L80-103)
1 01:21 Amazon
2 01:50 Amazon
3 01:03 Amazon
4 04:02 Amazon
5 01:10 Amazon
6 01:22 Amazon
7 02:48 Amazon
8 02:56 Amazon
9 00:47 Amazon
10 01:59 Amazon
11 06:20 Amazon
12 05:58 Amazon
The Well-Tempered Clavier (24), collection of preludes & fugues, Book II, BWV 870-893 (BC L104-127)
13 02:02 Amazon
14 01:32 Amazon
15 02:06 Amazon
16 02:07 Amazon
17 01:39 Amazon
18 01:53 Amazon
19 03:43 Amazon
20 02:14 Amazon
21 03:19 Amazon
22 03:16 Amazon
23 01:39 Amazon
24 01:51 Amazon
25 02:21 Amazon
26 02:25 Amazon
27 03:42 Amazon
28 04:20 Amazon
29 03:55 Amazon
30 02:37 Amazon

Track Listing - Disc 3

Sample Title/Composer Performer Time Stream
The Well-Tempered Clavier (24), collection of preludes & fugues, Book II, BWV 870-893 (BC L104-127)
1 03:43 Amazon
2 03:08 Amazon
3 02:49 Amazon
4 01:36 Amazon
5 04:17 Amazon
6 01:42 Amazon
7 03:05 Amazon
8 02:28 Amazon
9 03:02 Amazon
10 04:51 Amazon
11 02:07 Amazon
12 01:10 Amazon
13 02:38 Amazon
14 02:32 Amazon
15 03:03 Amazon
16 01:56 Amazon
17 04:03 Amazon
18 03:12 Amazon
19 01:42 Amazon
20 01:17 Amazon
21 04:31 Amazon
22 02:01 Amazon
23 02:47 Amazon
24 01:52 Amazon
25 01:48 Amazon
26 03:48 Amazon
27 01:50 Amazon
28 02:45 Amazon
29 02:02 Amazon
30 01:36 Amazon
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