This album on the House of Blues label is a bit smoother and more slickly produced (by Rush and famed Memphis producer Willie Mitchell) than Rush's classic, rough-edged Chess recordings, but there's still plenty here to like. With a solid horn section backing him on most cuts, Rush gets ample room to show off his razor-sharp guitar chops. And his distinctive, emotionally charged voice remains a true blues treasure. In addition to his own no-nonsense originals, Rush draws on some familiar tunes from classic soul and blues performers like Marvin Gaye, Sam Cooke, Nappy Brown, and Little Milton.
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AllMusic Review by Joel Roberts