The similarities in style between pianist Borah Bergman and Cecil Taylor cannot be denied. Bergman, like Taylor, assaults, cajoles, and fully explores the instrument; there's nothing mild or polite about the way he rips through chords, develops spiraling, teeming two-handed statements, or barrels through the octaves with each hand making its own furious phrases. This contains two lengthy pieces, each broken into movements. This is intense solo piano that requires just as committed and concentrated an effort from the audience as the performer in order to appreciate and follow the direction.
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AllMusic Review by Ron Wynn