Juntaro Yamanouchi turns to vinyl abuse (instead of self-abuse) with this album of feedback and other noise processing, apparently based from the live manhandling of a stack of 45 rpm records. Two twenty-minute long pieces, similar in sound, make up this CD, though 10 minutes alone gets the point across (the second half does feature more sounds of the actual vinyl, though). Any more is either redundant or hilarious, depending on your point of view.
Share this page
AllMusic Review by Ted Mills