A constantly changing style, Cadence evolved primarily among the islands of Guadeloupe, Martinique, Dominica, and Haiti. The cadence era was exciting and extremely fertile, requiring musicians of only the highest caliber, who could master not only Antilles pop styles like beguine and Creole mazurka, but also those of Haiti and the other neighboring islands. The cadence years saw the evolution of the pop influences that embellish the rootsier foundation of today's Antilles musicians, allowing for expression in an internationally familiar musical language: electric instruments, riffing horn sections, trap set drums, topical lyrics, and specific stylings of rock music, reggae, soca, American black music, and more. In addition to Les Aiglons, this was the heyday of big bands like La Perfecta, Typical Combo, La Selecta, Les Maxels, Les Lopards, Les Vikings de la Guadeloupe (whose co-leader, Pierre-Edouard Decimus, went on to create the group Kassav' at the end of the decade), and Gordon Henderson's Exile One of Dominique. Recordings from this era, while fascinating and enjoyable, often suffer from out-of-tune instruments and subpar recording quality. Cadence led directly into the early '80s and the rise of zouk, and it was the musicians schooled in cadence who were the first zouk stars. The major catalyst behind the emergence of zouk was the desire to produce a new Caribbean music that treated the multifaceted music of the Antilles to the state-of-the-art recording technology of the Paris studios.