Edward Elgar

Cello Concerto in E minor, Op. 85

    Description by Blair Johnston

    Edward Elgar's Concerto for cello and orchestra in E minor, from the year 1919, is the last major work the composer penned (a Third Symphony remained in draft form at his death in 1934). While the instrumental forces remain basically equivalent to those used in the Violin Concerto, Elgar has amplified the tender, searching intimacy of that earlier work to such a degree that one might call the Cello Concerto not just introspective but searing and almost ascetic. It is an exceedingly complex but immediately touching work that makes a fitting epilogue to Elgar's lifetime in music.

    The concerto is poured into a four-movement mold, yet still takes only about half an hour to perform -- far less than any of Elgar's other large instrumental works. This restraint is mirrored by remarkably transparent orchestration. The work begins with four bars of solo cello recitative that firmly outline the home key of E minor. The subsequent Moderato entrance of the orchestra offers little immediate support for that key, really winding down to the tonic only after six bars of restless 9/8 melody built on a single rhythmic cell. During the 12/8 middle section Elgar makes good use of the contrast between E minor and E major. A recapitulation of the opening is made, but soon enough the movement has dissolved into a handful of uncertain pizzicati.

    Elgar brings back the opening recitative, much altered (and buoyantly beginning where the first movement's pizzicati left off), to begin the following Scherzo. After twice pleading with the orchestra to join its cause, the cello finally rouses the group into an eighth note driven perpetual motion (Allegro molto). Elgar paints a miniature portrait of his own very characteristic lyric style in the relatively brief E flat major second theme.

    A wonderful melody in B flat major is sung by the soloist throughout the Adagio third movement. Here Elgar's indebtedness to Schumann, the slow movement of whose own cello concerto also employs this song without words approach, is clearly evident. The life span of this one melodic strand is a bare 60 bars, yet it conveys deeper passion than do five times that many bars of the composer's earlier music. The movement ends on the dominant, paving the way for an attacca opening of the Finale.

    After initially falling in with the B flat major of the Adagio, the Finale makes an eight-bar move back to its rightful E minor tonal center. The main idea of the movement (marked, like so many of the composer's favorite thoughts, "nobilmente") is given out first by the soloist in half-recitative and then, after a rude tutti interruption and a brief pause, by the entire ensemble, Allegro non troppo. A second theme recalls both the G major tonality and the impish sentiment of the Scherzo movement. As the Finale draws near its finish, Elgar undertakes an extended and very moving reminiscence: first on the melody of the Adagio movement and then reaching back to the recitative that began the entire half-hour journey. Two terse chords re-energize the movement's fast-twitch muscle fiber, and 16 bars later the curtain comes down.

    Parts/Movements

    1. Adagio - Moderato
    2. Lento - Allegro molto
    3. Adagio
    4. Allegro - Moderato - Allegro ma non troppo

    Appears On

    Year Title Label Catalog #
    2016 Sony Classical 88985342962
    2016 Hyperion CDA 68077
    2016 Warner Classics 0825646480401
    2016 Urania / Urania Records WS 121160
    2015 Warner Classics 0825646076000
    2015 Alto MCSCD 1265
    2015 DG Deutsche Grammophon 002894795229
    2015 Sony Classics 513074
    2014 ABC Classics 4811243
    2014 Decca
    2013 DG Deutsche Grammophon
    2013 Entertainment Group 14166
    2013 Telarc TEL 3403002
    2013 Telarc TEL 34362-25
    2013 Telarc
    2013 Harmonia Mundi HMC 902148
    2013 Heritage HTGCD 245
    2013 Supraphon SU 41322
    2013 Erato 5099961581029
    2013 Sony Classical 88765438572
    2012 Danacord DACOCD 724
    2012 Entertainment Group 4046
    2012 Decca
    2012 Decca 001759202
    2012 Decca
    2012 Chandos CHAN 10709
    2012 EMI Classics / Warner Classics 5099962307
    2012 EMI Classics / Warner Classics 5099995590
    2012 Decca / DG Deutsche Grammophon
    2012 DG Deutsche Grammophon 4783619
    2012 Avie AV 2237
    2012 Broken Audio BRAUR 0173
    2012 Concerto / Zebralution
    2011 Music & Arts CD 1257
    2011 CBS Records Masterworks 88697551682
    2011 Decca
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    2011 BBC Legends BBCL 50052
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    2010 West Hill Radio Archives 6032
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