Jean-Baptiste Lully

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Lully is credited with reinventing opera, inventing the enduring French overture, and making the minuet the dominant dance form of the era.
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Composition Highlights

Title Year Avg. Duration Genre
Atys, opera, LWV 53 Opera
Armide, opera, LWV 71 Opera
Phaëton, opera, LWV 61 Opera
Alceste, ou Le triomphe d'Alcide, opera, LWV 50 Opera
Le bourgeois gentilhomme, comédie-ballet, LWV 43 Opera Ballet
Amadis, opera, LWV 63 Opera
Work(s) Miscellaneous (Classical)
Trios pour le coucher du Roi (18) for 2 violins & continuo, LWV 35 Chamber Music
Persée, opera, LWV 60 Opera
Le triomphe de l'amour, ballet, LWV 59 Ballet
Xerxès, ballet (for F. Cavalli's "Serse"), LWV 12 Ballet
Isis, opera, LWV 54 Opera
Les noces de village, ballet, LWV 19 Ballet
Thésée, opera, LWV 51 1675 Opera
Le Grand Divertissement Royal de Versailles, divertissement/comedie, LWV 38 Opera
Alcidiane, ballet, LWV 9 Ballet
Cadmus et Hermione, opera, LWV 49 Opera
Roland, opera, LWV 65 Opera
Te Deum, motet for double chorus & orchestra, LWV 55 1677 Choral
Gavotte en rondeau, for keyboard (spurious; attributed to Lully in Suzuki Method books) Keyboard
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