Skeleton-in-the-closet time: Here's Blondie's Debbie Harry back in her 1968 hippy period, working the Mamas and Papas folk-rock thing for all it's worth. She's strictly in a support role on these sides, and overall, this is about as lightweight musically as they come. Only Harry's name as a connection makes this worth a listen, out of curiosity and nothing else.
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AllMusic Review by Cub Koda