For Portugal. The Man's sixth release in only four years, The Satanic Satanist, the band tones down the progressive leanings demonstrated on Church Mouth, and instead, goes for a straight forward, pop approach. With no song extending much longer than four minutes, John Gourley's bright falsetto matches up with breezy harmonies in a Band of Horses/ My Morning Jacket way while the synthesized instrumentation takes a page from MGMT. The slick electro direction is a pleasant change, although it may be a little disconcerting to fans who appreciate the more indulgent side of PTM. For The Satanic Satanist, they walk away from the playgrounds of their past (which included emo, art-folk, and indie rock) and try their hand at chamber pop by filtering their music through a reverby wash, embracing electronica, and elaborately layering stacks of tracks. Reputed producer Paul Q. Kolderie (Radiohead, Belly, Lemonheads) gives the sound a crystal sparkle, which, paired with the mellow vibe of the album, makes The Satanic Satanist one of the groups' most accessible and easily digestible to date.
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AllMusic Review by Jason Lymangrover