Stitt plays both tenor and alto sax on this set, backed by his working band of the time: Don Patterson on organ, Billy James on drums, and Paul Weeden on guitar. This small-combo fits between bebop and soul-jazz, dominated by group-penned material. Stitt gets an especially smoky tone on the ballads, particularly on the title track, which is a sultry blues number also featuring the guitarist and organist in solo turns. Weeden distinguishes himself more as a soloist than Patterson does, particularly on the Wes Montgomery-type lines on "Silly Billy."
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AllMusic Review by Richie Unterberger