No matter how far rock music has strayed from its basic roots, there comes a time in every era and scene when audience attention rushes back to the pure and driving sounds of blues and rockabilly. This group came along at just such a time and place. No matter how rococo various private and underground clubs in New York City's East Village were, and no matter how far out some other bands were getting, the Raunch Hands brought back a roots approach that was well received, and extremely refreshing. Musically, there is nothing the least bit new in a single note played by this group. That apparently was the whole idea, but one of the attractive elements of the group is that it goes for the entertaining, goofy side of this style of music rather than trying to project the deadpan, ultra-serious image of roots rockers in plaid shirts. Live, the group went for cheap equipment and the type of ambience that has never been transferred successfully from the barroom to the recording studio, let alone to the larger venues that might be part of a band's upwardly mobile career path. Thus, the recorded legacy has to be taken as a distant second to the live experience of seeing this group on-stage. Learn to Whap-a-Dang With the Raunch Hands is, overall, one of the group's most consistent recorded efforts. The humorous cover art adds to the enjoyment of an album that rocks hard pretty much all the way through, not so much peaking in this highlight or that but providing nary a letdown, either. The rhythm section of bassist George Sulley and drummer Vince Brinicevic is excellent.
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AllMusic Review by Eugene Chadbourne