George Benson / The George Benson Quartet

It's Uptown

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While George Benson's solid jazz reputation supposedly rests on his early John Hammond-produced Columbia albums, one listen to this disc will reveal that his interests roamed widely from the beginning. Yes, there is plenty of straightforward bop playing here, with Benson stretching his technical chops on "Hello Birdie" and "Myna Bird Blues" and ruminating thoughtfully on "Willow Weep for Me." But Benson also had an interest in quasi-rock & roll, producing Wes-like octaves on "Young Jaguar," and some Bo Diddley-in-Spain rhythm chording on "Bullfight." The young Benson sounds pure and mellifluous on three vocal numbers, the basic elements of his later successes mostly in place. Yet Benson's backing combo doesn't click on all cylinders; Lonnie Smith is reliable on organ but Ronnie Cuber's blunt baritone sax is rather cumbersome here.

Track Listing

Title/Composer Performer Time Stream
1 4:29 Spotify
2 2:25 Spotify
3 2:57 Spotify
4 3:00 Spotify
5 7:49 Spotify
6 2:41 Spotify
7 4:01 Spotify
8 3:46 Spotify
9 2:20 Spotify
10 4:06 Spotify
11 4:37 Spotify
12 3:11 Spotify
13 4:58 Spotify
14 2:45 Spotify
15 4:48 Spotify
16 3:24 Spotify
blue highlight denotes track pick