Ammons, whose studio recordings of the period were somewhat commercial, is heard in excellent form playing a blues and three standards with the backing of a fine rhythm section: Hampton Hawes (who unfortunately sticks to electric piano), electric bassist Bob Cranshaw, drummer Kenny Clarke and Kenneth Nash on congas. Best of all is a 17-minute blues on which Ammons welcomes fellow tenor Dexter Gordon, cornetist Nat Adderley and altoist Cannonball Adderley; the four horns all get to trade off with each other. This is one of the better late-period Gene Ammons records.
Share this page
AllMusic Review by Scott Yanow