The best collection of Knight's pre-Motown sides, including both of their big early-'60s hits (the title track and "Letter Full of Tears"), but concentrating more heavily on their mid-'60s sessions. These were overseen by Van McCoy, who supplied the group with several of his own compositions as well. McCoy was one of the most melodically ambitious pop/soul composers of the era, and his songs on this compilation -- "Either Way I Lose," "Why Don't You Love Me," "Lovers Always Forgive" -- are achingly beautiful and rife with unexpected key changes. His "Stop and Get a Hold of Myself," on the other hand, is a more conventional (but equally first-rate) uptempo soul stomper. If there's any criticism of these sides, it's that Knight and the group don't establish a strong identity, handling doo wop-like ballads, girl-group-tinged pop, McCoy's idiosyncratic songs, and more modern pop-soul with chameleon-like skill. In the end, that doesn't detract from the strength of this CD, which is a collection of fine early to mid-'60s pop/soul. The major flaw is the inexplicable omission of the McCoy composition "Giving Up," a Top 40 hit for the group in 1964.
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AllMusic Review by Richie Unterberger