Back in Chicago and on Chess, Berry comes back true-to-form, reconstituting his 1950's sound. Berry keeps his reputation for shaping the English language his own way, only in a late 1960's setting. "Tulane" and "Have Mercy Judge" are the two best known songs, but there's not a bad track here, even if none of it is what he's known for. Unfortunately, Berry found the new, more business-like Chess Records--with Leonard Chess no longer running things--less to his liking than the old, and it began to show in some of the recordings, which were simply less inspired than his old work.
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AllMusic Review by Bruce Eder