Featured New Releases for
October 18, 2019

Surviving

Exotic Location Recordings / RCA
A late-career peak, the Arizona quartet approaches middle age by maturing their emo-rock sound.

— Neil Z. Yeung

No Holiday

Omnivore
Recorded as their leader was battling ALS, this set from the pop-punk heroes is less aggressive but powerfully heartfelt.

— Mark Deming

What's Going On Live

Motown
R&B
An individual release of the singer's 1972 Kennedy Center performance, originally issued on the deluxe edition of What's Going On (2001).

— Andy Kellman

Vagabon

Nonesuch / Warner Bros.
Gentle, textured atmospheres and themes of self-reliance characterize the calm, confident follow-up to the volatile Infinite Worlds.

— Marcy Donelson

Woptober II

Asylum / Atlantic / Guwop Enterprises
Rap
The Atlanta trap godfather caps a tumultuous decade with one of his best efforts.

— Neil Z. Yeung

War Music

Spinefarm Records / Search & Destroy
The leading political hardcore band of their time are as articulate and angry as ever 25 years into their run.

— Mark Deming

Crush

Ninja Tune
Sam Shepherd's engrossing second album veers from motionless ambient interludes to bracing techno tracks.

— Andy Kellman

Screamer

MegaCollider Records
Working with "musical consigliere" Billy Corgan, Third Eye Blind shake things up on Screamer.

— Stephen Thomas Erlewine

Piggy Wings

Rock Action
A rousing and oft-hilarious career-spanning set of tracks by the noisy, off-kilter band from the '90s Scottish pop underground.

— Tim Sendra

Dusty

Mello Music Group
Rap
The Queens native reunites with producer Mono en Stereo (formerly RTNC) for a set of pointed observations set to ambling jazz and funk grooves.

— Paul Simpson

Junior

Sub Pop
The Montreal group's third album -- and first for Sub Pop -- is newly powerful indie rock built on post-punk influences and hooky melodies.

— Tim Sendra

The Wanting

Late August Records
On his second album released in October 2019, Cody Jinks gets introspective.

— Stephen Thomas Erlewine

Big Blue

Arts & Crafts
A smartly written, tightly focused, and appealingly heavy sophomore LP from this Vancouver fuzz-pop trio.

— Timothy Monger

Real Friends

Warner Music
On his cheerful third album, the singer slyly and stylishly updates some traditional country tropes.

— Stephen Thomas Erlewine

One Step Behind

Beyond Beyond Is Beyond
The third album from the Jersey indie jam band in less than two years is centered around one epic 31-minute exploration.

— Fred Thomas

Utopia

Bremer McCoy Music / Luaka Bop
Enveloping Luaka Bop debut from the Danish instrumental duo that begs to be listened to in one sitting.

— Matt Collar

Do You See the Falling Leaves?

Bella Union
The Norwegian collective's fusion of pop, jazz, electronic music, R&B, and hip-hop bridges the political and personal in lively, intimate ways.

— Heather Phares

The Only Ones

Milk Carton Records
An intimate set that jettisons its predecessor's expanded lineup, relying solely on the duo's impeccable guitar and vocal skills.

— James Christopher Monger

Heavy Lifter

Double Double Whammy
On their third album, the slowcore-indebted duo clarify vocals and structure while retaining their guarded introversion.

— Marcy Donelson

Year of the Witch

Captured Tracks
The duo's abrasive, provocative debut album sounds like the work of broken androids trying to make sense of humanity.

— Heather Phares

Chapters

Edition
The Los Angeles jazz outfit collaborates with several vocalists on this accessible, yet still boundary-pushing outing.

— Matt Collar

Crossing Lines

ATO
Phish keyboardist Page McConnell revives his early-2000s electro-funk project for a more contemplative third outing.

— Timothy Monger

Wave

Domino
The Canadian singer/songwriter and composer's melancholic eighth effort is his most spectral collection of songs to date.

— James Christopher Monger

Deborah

Arbutus Records
The gated reverb of the '80s factors heavily into this yearning, full-length debut from the Montreal-based indie electronic duo.

— Marcy Donelson

Cloud Hidden

Lo Recordings
Reworked pieces from an uncovered DAT tape containing early versions of material from Susumu Yokota's 2002 album The Boy and the Tree.

— Paul Simpson

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