James Crawford

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For there to be both a live and studio version of Every Man I Love Is Either Married, Gay or Dead by Kacey Jones seems a breach of basic redneck comedy philosophy, i.e., a rebellion against anything smacking…
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For there to be both a live and studio version of Every Man I Love Is Either Married, Gay or Dead by Kacey Jones seems a breach of basic redneck comedy philosophy, i.e., a rebellion against anything smacking of self-conscious pretension. Graphic designer James Crawford continues the dogmatic conflict by contrasting the proportional impact of varied typeface sizes on the cover of the live version. (Apologies, y'all, for using "i.e." in a discussion of rednecks.)