To call this outing "authentic" would be an understatement, given that Bill Laswell and Pharoah Sanders took only some digital recording equipment and Sanders' saxophone to Morocco to record it. The CD sleeve photos show the informal nature of the proceedings, revealing that the recording took place in someone's home with a large cast of musicians, many of whom are Ghania's family members. The recording did not suffer at all from the mobile equipment, and The Trance of Seven Colors lives up to its title, giving the listener first-hand access to Gnawa healing ceremonial music. Ghania's Guimbri (an African instrument) unravels masterful, off-kilter, bass-like lines over chanting and various percussion instruments. Pharoah Sanders sounds inspired in the setting also, making this a worthwhile recording for Sanders fans who heard intimations of world music in his '60s dates.
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AllMusic Review by Wilson McCloy