Abdelhadi Belkhayat

El-Kamar El-Ahmar

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Belkhyat built high-octane vocals, Egyptian-derived strings setting off oud or khanoun interspersions, rubato to the max, an occasional cut with an unnamed woman singer, into a Moroccan sound. No discoid or Euro-pop trimmings, but a sound of great self-assurance and integrity with an odd grandeur and sweep to it.