Dozens of previously unreleased tracks join remasters of two original albums from a curious and creatively rich phase of one of rock's most important legacies.
This dark, challenging, and often fearless album pushes past the hazy R&B tendencies of previous work into more daring and emotionally raw avant-pop territory.
Thorn and Watt made a couple of albums with a cocktail-jazz backup and one with strings before trying a small unit for the intimate songs of their most accessible recording. The setting is perfect for such moving compositions as "Love Is Here Where I Live" and "Apron Strings." Start here, then go on to the rest of this remarkable group's catalog.
A heavily researched work that delves into historical Los Angeles and is named for the hotel where Bobby Kennedy was assassinated, this album's ten track titles each provide a corresponding street address. Offering literate wordplay alongside a diverse, theatrical chamber pop, it spans the Ellington-esque noir jazz of "Musso and Frank (6667 Hollywood Blvd.)" -- dedicated to Raymond Chandler -- and slinky '70s soft-rock on "Villains (4616 Dundee Dr.)," which perceptively asks, "Why do villains always live in houses built by modernist masters?"