The 16th studio album from these thrash metal deities is every bit as snarling and technically precise as any other point in their nearly 40-year history.
The third album by the legendary Scottish pop band finds them at their heartbreaking, heartwarming best, dishing out melancholy pop that's timeless and true.
This collection of the band's two 2020 EPs shows that their Stereolab-influenced, dreamily experimental pop sound was already established, if a little rough around the edges.
Crime were the first West Coast punk band to put out a record in 1976, though they preferred to be known as "San Francisco's First and Only Rock and Roll Band." Recently reissued on vinyl, this collection of two warts-and-all demo sessions, recorded in 1978 and '79, captures their weird, dirty energy, fractured blues-based song structures, and jonesed-out swagger as well as their original singles, and its edgy charisma still communicates.
From Hot Fuss synths to Sam's Town seriousness, fans got whiplash when the Killers returned to the flamboyant showman sparkle on this third, synth-heavy outing. While the first two are their objective classics, this is one of those LPs that has aged quite well (especially considering the weary lows of the 2010s). Impeccable from start to finish, but check out "Losing Touch," "Joy Ride," and "The World We Live In."