After several albums of top-notch twee preciousness, Belle and Sebastian became positively optimistic and energized on this album. The flute and cash register notes that kick off the record lead into a "Step Into My Office, Baby," a song that could fit into the montage of a kicky '60s movie, and the rest of the album just accelerates from there. The dour clouds have lifted and the sun shines on this bright and unexpected record.
Never simply poppy nor completely arty, and definitely not just the Jesus and Mary Chain/Cocteau Twins fusion most claimed they were, A.R. Kane here feels playful, mysterious, and inventive all at once, impossible to truly pin down. The best one-two punch on the record comes from "Sulliday," with buried, measured percussion and evocative drones, and "Dizzy," featuring a mesmerizing call-and-response by Rudi with himself, veering between more gentle, direct vocals and echoed shouts, eerily foretelling much of what Tricky would similarly do years later.