Hans Neusidler

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Throughout music history, fathers and sons have rarely proved to be the equals of one another -- more often, time reveals that one is really a notably superior musician. C.P.E. Bach may indeed have been…
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Composition Highlights

Title Year Avg. Duration Genre
Ein welscher tantz "Wascha mesa", for lute (The Lautenbuch, Book I) 1536 Chamber Music
Juden-tanz for lute (from the Lautenbüchlein) Chamber Music
Der Hupff auff, den must man gar behend, for lute Chamber Music
Preambel, for lute Chamber Music
Der Zeuner Tantz (from the Lautenbuch) Miscellaneous (Classical)
In liebes brunst Chamber Music
Zart schöne fraw, for lute (The Lautenbuch, Book I) 1536 Chamber Music
Elslein liebstes Elslein mein, for lute (after Senfl) (The Lautenbuch, Book I) Chamber Music
Der Königin tanzt Miscellaneous (Classical)
Preambel, for lute (The Lautenbuch, Book I) Chamber Music
Ach Elslein Chamber Music
Ein guter welscher Tantz, for lute (The Lautenbuch, Book I) 1536 Chamber Music
The Lautenbuch, Book 1 (Ein Newgeordent Kunstlich Lautenbuch) Chamber Music
Benedictus, for lute (after Isaac) (The Lautenbuch, Book I) Chamber Music
Adieu mes amours, for lute (after Josquin Desprez) (The Lautenbuch, Book I) Chamber Music
Ein Ser guter hoff tantz Miscellaneous (Classical)
Mein Herz hat sich mit Lieb' verpflicht Miscellaneous (Classical)
Ein seer guter Organistischer Preambel, for lute (The Lautenbuch, Book II) 1536 Chamber Music
Ach lieb mit leid (II), for lute (after Hofhaimer) (The Lautenbuch, Book II) Chamber Music
Mein hertz alzeyt hat groß verlangen, for lute (after De La Rue) (The Lautenbuch, Book II) Chamber Music
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