By the time of 1992's Yes, Please, Happy Mondays had succumbed to the excessive lifestyle they had so enthusiastically promoted. Lead singer Shaun Ryder, who had always acted as both the mouthpiece and musical visionary for the band, sounds as if he couldn't be bothered, and the music reflects his disinterest. In the hands of Chris Frantz and Tina Weymouth (Talking Heads, Tom Tom Club), the group's music loses much of its distinctive, thuggish edginess, as well as its reliance on current dance trends, becoming faceless, undistinguished dance-pop sludge. Yes, Please was not a particularly good way to say goodbye.
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AllMusic Review by Stephen Thomas Erlewine