Produced by Jim Dickinson and Joe Hardy, Dan Stuart and Chuck Prophet finally cracked the Memphis sound by steeping themselves in the environment and surrounding themselves with the musicians who made their name there. From the get-go, Prophet's guitar is the cornerstone to the Let It Bleed mood that fires this record from "Keith Can't Read" throughout, though it ends up with the very Neil Young-like "D.T. Blues."
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AllMusic Review by Denise Sullivan