Markus Reuter is known for his work with Ian Boddy and the Europa String Choir; his Digitalis marks an excursion into abstract ambient noise. This record is very dissonant -- or, like Claude Debussy, Reuter really pushes the envelope on consonance as it relates to the melodic and harmonic relationship within the context of a respective piece. Reuter's music is marked by dissonant melodic runs and streaks through whole-tone scales and other modes that are quite hard on the ears. Perhaps the strangeness of this recording has something to do with the apparatus that he's using to make the recording, which is described as a tap-style eight-stringed guitar-like instrument, which is played less like a true guitar and more like a Chapman Stick. The tracks on Digitalis seemingly run together with little or no comprehensible order, almost as if they were completely improvised. In a lot of ways, this recording may remind listeners of some of Sun Ra's work, but there is more dissonance and less use of silence as a compositional tool. From an experimental and stylistic perspective, this recording is a gem but, in contrast to all of the other recordings in the Hypnos Recordings catalog, it's quite dissonant and doesn't fit in well.
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AllMusic Review by Matt Borghi